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Release Date: 2021-07-23
Runtime: 99 Minutes
Cast: Emile Hirsch, Megan Fox, Lukas Haas, Caitlin Carmichael, Olive Elise Abercrombie, Jason Trawick, Lydia Hull, Welker White, Alec Monopoly, Jackie Cruz
Genre: Crime, Thriller, Action, Mystery
Production Co: Pimienta, BondIt Media Capital, EFO Films, Lionsgate
Country： English
Synopsis
Generally I love crime-thrillers (both fiction and non-fiction) and this had some good elements, but the editing was shoddy, performances uneven with Bruce Willis once again phoning it in. He has maybe 10-minutes of a screentime and is a non-factor with the plot outside of being Megan Fox's partner who disappears only to briefly show up at the end.
As for Fox she at least was okay, though not entirely believable as an FBI agent and Emile Hirsch and his southern accent sounded off, not entirely sure why he had it, didn't really play into his character nor the region. Lukas Haas as the serial killer has his moments though his performance and the character isn't anything different than what had been done on Criminal Minds.
Wanted to really like this but never quite works. Has an ending that should've been filled with suspense but instead was awkwardly edited and just was lackluster. **2.25/5**
I know by now that Bruce on the cover probably means a whole lot of driveling banter piss caught on tape in feature length. But the premise and Emile Hirsch co-starring caught my interest. Turns out Emile is the lead really, Megan Fox the damsel in distress and the guy responsible for the editing is the real villain. The dialogue was boring, the story done better many times already, so the director could have learned something beforehand easily when taking this on. Unfortunately for the crime flick fan this is sub-par. And for everybody else it's just cringe-worthy bad.
As for Fox she at least was okay, though not entirely believable as an FBI agent and Emile Hirsch and his southern accent sounded off, not entirely sure why he had it, didn't really play into his character nor the region. Lukas Haas as the serial killer has his moments though his performance and the character isn't anything different than what had been done on Criminal Minds.
Wanted to really like this but never quite works. Has an ending that should've been filled with suspense but instead was awkwardly edited and just was lackluster. **2.25/5**
I know by now that Bruce on the cover probably means a whole lot of driveling banter piss caught on tape in feature length. But the premise and Emile Hirsch co-starring caught my interest. Turns out Emile is the lead really, Megan Fox the damsel in distress and the guy responsible for the editing is the real villain. The dialogue was boring, the story done better many times already, so the director could have learned something beforehand easily when taking this on. Unfortunately for the crime flick fan this is sub-par. And for everybody else it's just cringe-worthy bad.
FBI Agent Helter and his partner Lombardi are very close to busting a sex-trafficking ring. When they realize their investigation has crossed the path of a brutal serial killer, they team up with a Texas Ranger to put an end to the infamous 'Truck Stop Killer'.
❍❍❍ Formats and Genres ❍❍❍
See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In “DC1&”, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In “DC1&”, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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